Harry Keller

Diretor

1913-02-22 – 1987-01-19 · Los Angeles, California, USA

Harry Keller was an American film editor, producer, and director known for his work in Westerns and action films. Born in Los Angeles, he began his career as a film editor in the 1930s, working on numerous projects before transitioning to directing in the 1950s. Keller directed films such as The Unguarded Moment (1956) and Quantez (1957). In 1958, he was tasked by Universal Pictures with directing re-shoots and additional scenes for Orson Welles's film Touch of Evil. Keller's contributions to the film industry spanned several decades, showcasing his versatility and dedication to filmmaking.

• A Marca da Maldade (1958) — Assistant Director
• Recrutas da Pesada (1981) — Editor
• Loucos de Dar Nó (1980) — Editor
• Transilvânia - Hotel do Outro Lado do Mundo (1985) — Editor
• Não Me Mandem Flores (1964) — Producer
• O Anjo e o Bandido (1947) — Editor
• Miragem (1965) — Producer
• Lágrimas Tardias (1949) — Editor
• Ao Cair da Noite (1948) — Editor
• Hanky Panky, Uma Dupla em Apuros (1982) — Editor
• Dois Trapaceiros da Pesada (1971) — Producer
• Borderline (1950) — Editor
• Dois Contra o Oeste (1966) — Producer
• Anjo do Diabo (1964) — Producer
• O Homem Que Nunca Existiu (1983) — Editor
• Matar Por Dever (1960) — Director
• Um Gênio Entrou Lá em Casa (1964) — Director
• That Funny Feeling (1965) — Producer
• Six Black Horses (1962) — Director
• O Vale da Ternura (1949) — Editor
• The Female Animal (1958) — Director
• Na Fúria de uma Sentença (1958) — Director
• A Ameaça Vermelha (1949) — Editor
• The Ghost of Flight 401 (1978) — Editor