Kay Francis

Atriz

1905-01-13 – 1968-08-26 · Oklahoma City, Oklahoma, USA

From Wikipedia, the free encyclopedia

Kay Francis (January 13, 1905 – August 26, 1968) was an American stage and film actress. After a brief period on Broadway in the late 1920s, she moved to film and achieved her greatest success between 1930 and 1936, when she was the number one female star at the Warner Brothers studio, and the highest paid American film actress. Some of her film related material and personal papers are available to scholars and researchers in the Wesleyan University Cinema Archives.

Description above from the Wikipedia article Kay Francis,licensed under CC-BY-SA, full list of contributors on Wikipedia.

• Ladrão de Alcova (1932) — Mariette
• No Hotel da Fuzarca (1929) — Penelope
• A Única Solução (1932) — Joan Ames
• Esposa Só no Nome (1939) — Maida Walker
• Ladrão Romântico (1932) — Baroness Teri Hohenfels
• Contra a Lei (1939) — Dr. Carole Nelson
• When the Daltons Rode (1940) — Julie King
• Wonder Bar (1934) — Liane Renaud
• Raffles (1930) — Gwen
• Espionagem (1934) — Elena Moura
• Confession (1937) — Vera Kowalska
• Capricho Branco (1934) — Tanya Borodoff aka Spot White / Marjorie Lang
• Pela Fechadura (1933) — Anne Vallee Brooks
• Mãos Culpadas (1931) — Marjorie West
• Médica e Mulher (1933) — Mary Stevens
• A Mulher Que Eu Amei! (1933) — Laura McDonald
• Cynara (1932) — Clemency Warlock
• Ladies' Man (1931) — Norma Page
• Man Wanted (1932) — Lois Ames
• Defesa Que Humilha (1930) — Irene Manners
• Caminhos da Sorte (1930) — Alma Marsden
• Girls About Town (1931) — Wanda Howard
• Um Sonho Apenas (1930) — Dulce Morado
• Little Men (1940) — Josephine "Jo" Bhaer